Biography
LAURA STANDLEY has a wealth of directing, artistic, educational and administrative experience.
Ms. Standley is an Associate Member of the STAGE DIRECTORS AND CHOREOGRAPHERS SOCIETY.
Ms. Standley is an ASSOCIATE PROFESSOR OF THEATRE (2010-Present) at Massachusetts College of Liberal Arts in North Adams, MA where she directs and choreographs multiple shows a year and teaches courses in directing and all levels of acting.
Before academia, Ms. Standley was FOUNDING MEMBER and ASSOCIATE ARTISTIC DIRECTOR (2005-2008) of Ground Up Productions in New York City, nominated for two Innovative Theatre Awards.
Before turning her focus to directing, Ms. Standley was a PROFESSIONAL ACTRESS (1995-2005), and performed many roles in New York and the Regions. She still acts when she can, most recently in ReWritten, co-written by Tom Truss and Matthew Cumbie with the Berkshire Historical Society at Herman Mellville’s Arrowhead.
Before gaining her MASTERS OF FINE ARTS IN ACTING from the University of California, Irvine (1997), she worked primarily in theaters in Oklahoma City, where she received her Bachelors of Arts in Theatre: University of Central Oklahoma (1994). Among her related experience in Oklahoma, she served as the Assistant to the Artistic Director, Jaime Rocco at Lyric Theatre (1995).
DIRECTING CREDITS - Off-Broadway and Regional
*choreography
Three Sisters* - Translated by Constance Garnett, adapted for Zoom by Laura Standley and Alicia Kae Koger
Oklahoma Shakespeare
Oklahoma Shakespeare
Sense and Sensibility* - Kate Hamill
Oklahoma Shakespeare
Or* - Liz Duffy Adams
Oklahoma Shakespeare
The Liar* - Pierre Corneille, adapt. David Ives
Oklahoma Shakespeare
Scenes from an Execution* - Howard Barker
Ground Up, The Sheen Center, NYC
The Reckless Season (S.R.) - Lauren Ferebee
Ground Up, Manhattan Theatre Source, NYC
Burn This - Lanford Wilson
Ground Up, Manhattan Theatre Source, NYC
Lobby Hero - Kenneth Lonergan
Ground Up, Manhattan Theatre Source, NYC
Pump Boys and Dinettes - John Foley, Mark Hardwick, Debra Monk, Cass Morgan, John Schimmel and Jim Wann
Ground Up, American Theatre of Actors, NYC
The Shape of Things - Neil Labute
DIRECTING CREDITS - Academic
*choreography
Falling and Loving* - Charles Mee, adapted by Laura Standley and MCLA Dramaturgy
Massachusetts College of Liberal Arts
Massachusetts College of Liberal Arts
Sweet Charity* - Neil Simon, Cy Coleman, Dorothy Fields, Bob Fosse
Massachusetts College of Liberal Arts
Cloud 9* - Caryl Churchill
Massachusetts College of Liberal Arts
She Kills Monsters* - Qui Nguyen
Massachusetts College of Liberal Arts
Tartuffe* - Moliere, trans. Wilbur
Massachusetts College of Liberal Arts
Our Country’s Good - Timberlake Wertenbaker
Massachusetts College of Liberal Arts
Henry V* - William Shakespeare
Massachusetts College of Liberal Arts
A Doll’s House* - Henrik Ibsen, english version by Simon Stephens
Massachusetts College of Liberal Arts
The Liar* - Pierre Corneille, adapt. David Ives
Massachusetts College of Liberal Arts
Angels in America: Millennium Approaches - Tony Kushner
Massachusetts College of Liberal Arts
Twelfth Night* - William Shakespeare
Massachusetts College of Liberal Arts
Spring Awakening* - Duncan Sheik, Steven Sater
Massachusetts College of Liberal Arts
Agamemnon* - adapt. Steven Berkoff
Massachusetts College of Liberal Arts
Scenes From an Execution* - Howard Barker
Massachusetts College of Liberal Arts
Cabaret* - Kander, Ebb, Masteroff
Massachusetts College of Liberal Arts
Hedda Gabler - Henrik Ibsen, Adapt. Shinn
Massachusetts College of Liberal Arts
Urinetown: The Musical* - Hollman, Kotis
Massachusetts College of Liberal Arts
Threepenny Opera* - Bertolt Brecht, Kurt Weill
Massachusetts College of Liberal Arts
Fefu and Her Friends - Maria Irene Fornes
Massachusetts College of Liberal Arts
As You Like It* - William Shakespeare
University of North Carolina, Charlotte
[sic] - Melissa James Gibson
University of North Carolina, Charlotte
Lysistrata - Aristophanes, trans. Grene, Lattimore
Stony Brook University
bobrauschenbergamerica* - Charles Mee
SPECIAL SKILLS
Choreography, Movement, Lifts, Michael Chekhov, Viewpoints, Contact Improvisation, Intimacy Choreography, Period Styles and Dance, Social Dance, Clown, Mask, Stage Combat: Hand to Hand, Sword and Dagger, Vocal Coaching (Singing and Speech), Music Direction, Choirs and Ensembles, Dialect and Accent Coaching (Fluent IPA), Reads Music
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